Description
Meet Élan
Élan /ā-län/ — noun
A French word for a rush of style, spirit, and effortless momentum. That’s the essence of this cinematic LUT collection. Born from Kymmiee’s signature lens and created as an answer to grading with emotion.
This isn’t about color for color’s sake.
It’s about tone. Mood. Intention.
Base709 starts you clean — a neutral conversion LUT for CineSLog3 workflows.
Aeris gives you stillness — soft, neutral, breathable cohesion.
Ember burns warm — golden hour nostalgia and emotional heat.
Glacé stays composed — cool, minimal, editorial restraint.
Terre grounds you — tonal greens and nature-warmed balance.
Five tools. Infinite stories.
Because color isn’t just technical. It’s tonal. And your story deserves more than saturation. It deserves soul.
Élan — Style. Soul. Story. In every frame.
Who Élan is for
Élan is made for filmmakers, colorists, and visual storytellers who grade with intention, not just for polish, but for presence.
For those who believe color isn’t just a setting, it’s a feeling.
Because cinematic depth isn’t built through saturation alone.
It’s born from soul.
And your story deserves nothing less.
Rec 709 Base LUT
Your clean foundation for flat and log footage.
This is the technical baseline that brings your S-Log3 (and other flat profiles) back into natural tone. Designed to match standard Rec.709 Balanced contrast, accurate skin, and true-to-life color. Built to support every LUT in this collection.
Mood: Pure. Unfiltered. Essential.
Use the Rec.709 Base as your first step when editing with:
Sony S-Log3
Any gray, flat, or log-style footage (with modification)
This LUT isn’t just correction. It’s preparation.
A calibrated foundation designed to carry emotion, not just color.
Aeris in Motion
Where stillness becomes style.
Not every frame needs to be loud. Some stories whisper and Aeris listens.
Born from the need for neutrality without flatness, Aeris is the grade that gives your footage space to exhale. Think linen light, soft whites, and tones that hold rather than push. It doesn’t compete, it completes.
Whether you’re shooting
- Lifestyle content
- Intimate vlogs
- Documentary-style
Aeris creates cohesion without compromise.
It softens harshness, evens out shadows, and brings just enough cinematic depth to let your subject not your saturation — lead.
It’s the neutral LUT that feels like a deep breath.
Because sometimes, stillness speaks louder than spectacle.
Ember in Motion
For the stories that still burn.
Born for golden hour and memory work, Ember softens your footage with honeyed tones, rich shadows, and a hush of nostalgia that lingers.
It brings tenderness to your visuals. Golden without cliché, nostalgic without sepia. It’s the grade you reach for when the moment matters. When the love is soft, the light is fleeting, and you want the feeling to last just a little longer.
Perfect for:
- Weddings
- Lifestyle visuals
- Anything tender enough to glow.
Because some stories don’t just want to be seen, they want to be felt.
Glacé in Motion
Cool. Composed. Intentionally distant.
A cool-toned grade that brings clarity, elegance, and emotional restraint in all the right ways.
Glacé tempers warmth, sharpens whites, and refines detail without drawing attention to itself. It doesn’t flatten your footage — it elevates it. Designed for editors who crave precision, not performance.
Perfect for:
- Branded films
- Curated lifestyle content
- Product reels
- Visual portfolios that speak through structure, not spectacle.
When you want the work to feel elevated, edited, and editorial, this is the LUT.
Because sometimes the most powerful thing you can say is nothing at all.
Terre in Motion
Rooted. Rich. Refined.
Terre is a love letter to nature, not the obvious kind, but the quiet one. A green-toned grade that doesn’t shout “forest,” but hums with intention. Think deep foliage, earth-warmed shadows, and lived-in texture that holds rather than performs.
Built for
- visual creators who trade spectacle for stillness — from travel films and wellness brands to lifestyle moments that breathe.
Because not every story is here to bloom. Some are here to take root.
For the stories that feel like soil after rain.
FAQs
Will this work with my editing software?
Yes. Élan LUTs are .CUBE files, compatible with all major editing programs — Premiere Pro, Final Cut Pro, DaVinci Resolve, and more. You apply them like any other LUT, the difference is in how they make your footage feel.
What if I shoot on iPhone, Canon, Sony, or something else?
Élan was made for storytellers, not just cinema rigs. Whether you shoot on an iPhone, DSLR, mirrorless, or full-frame, the LUTs adapt to your footage.
If you shoot on Sony in CineSLog3, there’s a clean Base709 conversion included to bring your footage into balance.
If you shoot on any other flat or log profile, just do a quick color correction first, then layer your chosen Élan grade.
Is this beginner-friendly?
Yes. You don’t need to be a colorist to get cinematic results. Élan applies with a single click and can be adjusted using basic opacity sliders. It’s designed to help you build your eye, not overwhelm you.
Can I stack LUTs or control the intensity?
Absolutely. Think of these as visual layers. You can blend them, stack them, or reduce opacity to dial in your look. Start with the Base709 (if your footage needs it), then apply a stylistic grade like Ember or Terre for your tone.
Do I need professional color grading experience?
No. You just need a story to tell. Élan is made for filmmakers, YouTubers, editors, and creatives who want presence, not presets. These aren’t shortcuts. They’re cinematic companions.
What if I need help?
Support is part of the ecosystem. Whether you’re stuck on setup or unsure which LUT fits your footage, you’re not alone.
→ Email: hello@kymmieelately.com
→ Instagram: @kymmieelately Tag your edits or DM with questions.
More resources and walkthroughs are coming soon inside L’Atelier.
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